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Christ with a Burning Heart in an Oval, ca. 1800. John Alais (ca. 1778–fl. ca. 1820), graphic artist. Stippled copperplate engraving, height 15.6 cm, width 10.3 cm. Composition enclosed in an oval surrounded by a linear dotted frame. Christ shown in a bust, head slightly bowed, displaying a heart crowned with thorns and a cross burning on his chest. Belongs to a series of graphic compositions depicting objects of worship and devotional representations associated with the cult of the Sacred Heart of Jesus. Possibly made for Jesuit publications or congregations such as the Society of the Sacred-stock-foto
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S THADEUS Ap: (Saint Thaddeus the Apostle), Masieski, Jan (fl. ca 1750-1800), graphic artist, Jude Thaddeus (St.), saints, apostles, devotional representations, devotional scenes, IHS monogram, books (attribute), clouds, religious paintings, halos. The engraving shows Saint Thaddeus the Apostle en pied in a folded robe, holding a book and a line. At left and above is the IHS monogram in a halo of rays. The composition is framed below with a rocaille ornament on the lower sides that forms a cartouche at the bottom. The saint's face and halo are stippled. Judas Thaddeus, one of the twelve-stock-foto
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S THADEUS Ap: (Saint Thaddeus the Apostle), Masieski, Jan (fl. ca 1750-1800), graphic artist; Jude Thaddeus (St.), saints, apostles, devotional representations, devotional scenes, IHS monogram, books (attribute), clouds, religious paintings, halos. The engraving shows Saint Thaddeus en pied in a folded robe, holding a book and a line. At left and above is the IHS monogram in a halo of rays. The composition is framed below with a rocaille ornament on the lower sides forming a cartouche at the bottom. The saint's face and halo are stippled. Judas Thaddeus, one of the twelve apostles, a Catholic-stock-foto
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S. Teresa P. (Saint Teresa of Avila), Czerski, Stanisław (1777-1833), graphic artist; Teresa of Jesus (Saint; 1515-1582); saints, devotional representations, clouds, arrows (attribute), nuns, religious paintings. The image shows Saint Teresa, visible in a bust, her hands on her chest towards which an arrow is approaching. Saint Teresa of Ávila (Teresa Sánchez de Cepeda y Ahumada), born March 28, 1515, Gotarrendura (Ávila), Spain; died October 4, 1582, Alba de Tormes, Spain; Spanish mystic, Carmelite nun, Counter-Reformation writer, theologian, and reformer of the Carmelite Order (founder of-stock-foto
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S.Antons. (Saint Anthony of Padua). Czerski, Stanisław (1777–1833), graphic artist. Antoni Padewski (Saint; 1195–1231). Tyszkiewicz, Konstanty (1806–1868). Monuments of domestic engraving (cf.). Devotional scenes, saints, religious paintings, prayer, Child Jesus, monks, halos, clouds, devotional representations. The image shows Saint Anthony of Padua kneeling before the baby Jesus who appears to him in a cloud. The composition is enclosed in a double linear frame. The engraving was made by Father Stanisław Czerski in Salanty, Samogitia. As a parish priest, with the help of a young assistant he-stock-foto
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S. JOANNES NEPOMUCEN (Saint John of Nepomuk), Balcewicz, Franciszek Wenceslas (fl. ca 1748-1760), graphic artist; John of Nepomuk (Saint; ca. 1350–1393); saints; martyrs; martyrdom; Vltava (Czech Republic; river); crucifixes; Charles Bridge (Prague); architectural decorations; soldiers; devotional representations; religious paintings; 1748–1760; Vilnius; graphic; graphic matrix; graphic plate; height 11.7 cm; width 6.6 cm, A rectangular metallic plate with rounded corners showing mottled dark gray and black corrosion across its surface, interspersed with areas of brownish copper tones and-stock-foto
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S. JOANNES NEPOMUCEN (Saint John of Nepomuk), Balcewicz, Franciszek Wenceslas (fl. ca 1748-1760), graphic artist, John of Nepomuk (Saint; ca 1350-1393), saints, martyrs, martyrdom, Vltava (Czech Republic; river), crucifixes, Charles Bridge (Prague), architectural decorations, soldiers, devotional representations, religious paintings, 1748-1760, Vilnius, graphic, graphic matrix, graphic plate, height 11.7 cm, width 6.6 cm, A rectangular metal plate with engraved decorative designs, shown against a grey background, featuring an ornate vertical frame with curving scrollwork and textured-stock-foto
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Carved stone footprints, known as padukas, found in religious and historical sites in Rajhastan ............symbolic representations of revered figures-stock-foto
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GOYA Y LUCIENTES, Francisco de (b. 1746, Fuendetodos, d. 1828, Bordeaux) St Peter Repentant 1823-25 Oil on canvas, 29 x 25,5 cm Phillips Collection, Washington The St Peter and a half-length St Paul, which is probably a pendant, are among Goya's last devotional subjects. In style they are close to the 'black' paintings and must have been made shortly before Goya left Spain or in Bordeaux. This portrayal of an old man praying, in Goya's late manner, is more expressive of religious emotion than many of his earlier representations of saints (e.g. St Gregory), relating it to The Last Communion o-stock-foto
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GOYA Y LUCIENTES, Francisco de (b. 1746, Fuendetodos, d. 1828, Bordeaux) St Peter Repentant 1823-25 Oil on canvas, 29 x 25,5 cm Phillips Collection, Washington The St Peter and a half-length St Paul, which is probably a pendant, are among Goya's last devotional subjects. In style they are close to the 'black' paintings and must have been made shortly before Goya left Spain or in Bordeaux. This portrayal of an old man praying, in Goya's late manner, is more expressive of religious emotion than many of his earlier representations of saints (e.g. St Gregory), relating it to The Last Communion o-stock-foto
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Christ in Piety surrounded by symbols of the Passion, by the workshop of Mariano d'Antonio, tempera on panel, c. 1450, Galleria Nazionale dell’Umbria,-stock-foto
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Triptych depicting the Madonna and Child with angels, St. Anthony Abbot, and St. Francis, attributed to the Master of Trittico del Farneto, c. 1425, i-stock-foto
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Saint Mary With Christ Child and Saint John Baptist Engraving by Annibale Carracci From 1606-stock-foto
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Frederick III (the devotional), fights for the Burgundian heritage 1477-79, the Utrecht feud 1483/84 (The Arch of Honor of Emperor Maximilian I, historical representations, B, C 2.3, 6), The Arch of Honor of Emperor Maximilian I, Hans Springinklee (Nuremberg 1490 /95 - around 1540 Nuremberg), Wolf Traut (around 1490 - 1520, active in Nuremberg), 1515, print, woodcut-stock-foto
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This fresco from the Udasi Chitta Akhara in Amritsar, dating back to the 19th or early 20th century, represents the religious and cultural heritage of the region. Founded in 1781, the Akhara is also known as Ganga Ram Akhara.-stock-foto
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The 'Ermita del Rocío' painting, created in the mid-19th century, portrays the chapel of Rocío as it appeared on the carriage of the Simpecado of the Hermandad de Coria del Río. This painting was displayed in the 'cajón,' a traditional box used for processions. It is now housed in the Museo Tesoro del Rocío in Almonte, Huelva.-stock-foto
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Sacred figures arranged in a row, including two representations of Our Lady of Thanks, Saint Barbara, and other figures, photographed circa 1915-1922, showing religious attire and symbolic attributes.-stock-foto
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Souvenirs sold to tourists along the path that takes pilgrims to the sanctuary of the Santissima Trinità di Vallepietra. Vallepietra, Lazio-stock-foto
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Suatacopius, pl. 13 of 25 from the series Trophaeum Vitae Solitariae (Male Hermits). Publisher: Johann Sadeler I, Flemish, 1550–1600After: Maarten de Vos, Flemish, 1532–1603Publisher: Rafael Sadeler I, Flemish, 1560–1628-stock-foto
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Virgin and Child in a roundel. Engraver: Francesco Tortebat, Italian, 1578–1660After: Simon Vouet, French, 1590–1649-stock-foto
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Chariot group ca. 600–480 B.C. Cypriot Chariot (quadriga) models were common offerings in Cypro-Archaic sanctuaries. This is among the smallest known representations of a quadriga.. Chariot group. Cypriot. ca. 600–480 B.C.. Terracotta; hand-made. Cypro-Archaic II. Terracottas-stock-foto
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Length of silk with Instruments of the Passion ca. 1735 Spanish. Length of silk with Instruments of the Passion 226545-stock-foto
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Plaque with the Virgin and Child late 15th–early 16th century Attributed to Workshop of Master of the Triptych of Louis XII The figures of the Virgin and Child were taken from the engraving Virgin with a Monkey by Albrecht Dürer (1471–1528), in which Jesus holds a bird instead of a cross.. Plaque with the Virgin and Child 468316-stock-foto
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Melchizedek Presenting Abraham with Bread and Wine 1835–64 Hippolyte Flandrin French. Melchizedek Presenting Abraham with Bread and Wine 334626-stock-foto
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Hanuman Conversing 11th century India (Tamil Nadu) One of the most appealing Hindu deities, Hanuman’s bravery, courage, and loyalty throughout the Ramayana epic are renowned. Here, he gestures obeisance to Rama with his raised left hand while engaging in animated discussion with his Lord. This sculpture was part of an ensemble with Rama, Sita, and Lakshmana at its center. It was included among an assemblage of processional icons kept by Vaishnava temples in South India for festival use. Typical of Chola-period representations, Hanuman has assumed anthropomorphic form, with only his face and ta-stock-foto
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Plaque with the Crucifixion 16th century Master of the Orléans Triptych French The Orléans Triptych, an Annunciation scene with wings depicting King David and Isaac, is in the Musée des Beaux-Arts in Orléans, France. Another triptych is in the Walters Art Museum, Baltimore. The enamels attributed to the master or to his workshop sometimes display figures with delicately drawn faces side by side with more mannered representations, bordering on caricature.. Plaque with the Crucifixion 467783-stock-foto
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Holy Face ca. 1485–90 Gerard David Netherlandish This tiny manuscript illumination, a sympathetic portrait of Christ, belongs to the tradition of religious images known as acheiropoita, images believed to have been created miraculously. It is one of a group of representations of the head of Christ, called the Holy Face, that have their roots in Byzantine legend and in the legend of Saint Veronica. The story of Veronica became enormously popular in Europe in the thirteenth century, and medieval pilgrims traveled to Saint Peter's in Rome to see what they believed to be the actual veil of St. Ver-stock-foto
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Saint Christopher with the Christ Child on his shoulder ca. 1500–1510 Nicoletto da Modena Italian. Saint Christopher with the Christ Child on his shoulder 400837-stock-foto
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Roundel with the Virgin Mary, Saint John, and Angels 19th century European (Medieval style). Roundel with the Virgin Mary, Saint John, and Angels 464254-stock-foto
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Plaque with God The Father Blessing The Virgin late 15th–early 16th century Workshop of the Master of the High Foreheads. Plaque with God The Father Blessing The Virgin 468105-stock-foto
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Khambhavati Ragini: Folio from a ragamala series (Garland of Musical Modes) ca. 1675 India (Rajasthan, Bikaner) Here a female mendicant makes a Vedic fire offering to the god Brahma who is represented with four overlapping faces and holds a text, rosary (mala), and flower. An earlier ragamala text of 1550 provides the following description of Brahma: “He [Brahma] teaches the Vedas.. and causes other to perform the fire-oblation. A bright garment covers the beauty of [her] body; [her] fair colour gleams.”. Khambhavati Ragini: Folio from a ragamala series (Garland of Musical Modes) 55248-stock-foto
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The Madonna and Child Attended by Saints ca. 1543 Giulio Bonasone Italian In Mariette Album, folio 75. The Madonna and Child Attended by Saints 366747-stock-foto
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Piece mid-16th century Spanish. Piece 226499-stock-foto
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Stained Glass Panel with an Angel ca. 1450 British English glazing programs frequently included representations of the nine orders of angels, appropriately in the upper parts of windows. Included in the ranks of angels are the cherubim. In England, they usually wear feathered cloaks like the one shown here.. Stained Glass Panel with an Angel. British. ca. 1450. Pot-metal, white glass, vitreous paint, silver stain. Made in East Anglia ?, England. Glass-Stained-stock-foto
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Booklet with Scenes of the Passion ca. 1300 (carving); ca. 1310–20 (painting) North French (carving); Upper Rhenish (painting) An exceptional ivory object, this diminutive booklet is unusual in that both the exterior covers, depicting scenes of the Passion, and the interior covers, containing representations of the Virgin, are carved. The religious nature of the booklet suggests that it served as an accessory for private devotion. The painted images facing the covers are later additions, since they transform the subjects of the carvings. Except for the two painted leaves, all have raised edges-stock-foto
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S. Sabin et S. Vénustien (St. Sabinus and St. Venustian), December 30th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Sabin et S. Vénustien (St. Sabinus and St. Venustian), December 30th, from Les Images De Tous-stock-foto
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Engraved copies of The Little Passion n.d. After Albrecht Dürer German. Engraved copies of The Little Passion 388868-stock-foto
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Le Christ mort / Christ couché nu ca. 1895 Alexandre-Louis-Marie Charpentier A central subject in Christian imagery, representations of dead Christ or the entombment have featured in European art since the medieval era. More than the anatomical accuracy of a naturalist, this dead Christ reflects how Charpentier brings his stunning poetry of form and line to even the most austere subject.. Le Christ mort / Christ couché nu. French. ca. 1895. Cast bronze with dark greenish brown patina. Medals and Plaquettes-stock-foto
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Christ Bearing the Cross mid-17th century Ferdinando Tacca Italian This may be the finest surviving example of the plaque. The elastic poses, the use of stippling to define details such as clouds and turf, and the ruddy translucent lacquer all justify Anthony Radcliffe’s inclusion of the model among lesser works by Ferdinando Tacca.[1] Inferior examples are paired with equally unevenly cast representations of a scene from the Flight into Egypt in the Minneapolis Institute of Arts; the Spencer Museum of Art, University of Kansas, Lawrence; and the Wernher Collection at Luton Hoo.[2] Even at the-stock-foto
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S. Géréon et Ses Compagnons (St. Gereon and His Companions), October 10th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Géréon et Ses Compagnons (St. Gereon and His Companions), October 10th, from Les Images De T-stock-foto
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