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[low rectangular base] képek

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Ponta do Pargo Lighthouse on Madeira stands above a white base, seen from a dirt path through grass and flowers, midday light, low angle, weather gear-stock-foto
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Displaying three stylized DNA helices rising in grassy field, showing colored base pairs and grid-stock-foto
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Monument erected to Prince Józef Poniatowski in Leipzig; lithograph by Fritzsche, J. G.; Carl Patzschke (1813–1871); Louis Rocca (publisher, fl. ca. 1850–ca. 1870). Depicts the monument to Prince Józef Antoni Poniatowski (1763–1813) in the Reichenbach-Gerhard garden, Leipzig, with trees; Napoleonic era association (1799–1815). Includes coats of arms, Poland White Eagle. German graphic print, ca. 1860. Image dimensions: 16.5 × 21.0 cm (print), 28 × 37.1 cm (sheet)., The image shows a rectangular print centered on a larger off-white sheet with visible aging and subtle stains; within the print is-stock-foto
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Denarius of Elagabalus (204–222; Roman emperor 218–222), Roman Empire, 220–222. Obverse: Bust of Elagabalus with a laurel wreath and paludamentum facing right, inscription 'IMP ANTONINVS PIVS AVG', pearl border. Reverse: Elagabalus wearing a laurel wreath and long robe stands facing right, holding a patera above an altar in his right hand and a club in his left; star in right field, inscription 'SACERD DEI SOLIS ELACAB', pearl border. Coin; diameter ~18–19 mm, weight 3.43 g., A circular metal coin in shades of gray with a raised rim and worn texture shows a standing robed figure at the center-stock-foto
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Denarius, Antoninus Pius (86–161; Roman emperor 138–161). Obverse: Emperor's head in a laurel wreath right, legend ANTONINVS AVG PIVS PP TR P XVI, pearl border. Reverse: Annona stands facing left; in her right hand she holds ears of corn hanging downwards, her left hand rests on a modius standing on a ship (only half visible). Attributes: ears of corn, modius; iconography: imperial busts, Annona (personification). Hoard find (Golub). Date: 152–153. Culture/place: Roman Empire, Rome. Coin; weight 2.97 g; axis 180°., A worn round metal object with a dark gray surface and lighter gray highlights-stock-foto
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Bowl with saucer; painted enamel; plant ornament with peonies and plant tendril; Qing dynasty (1644–1911), 18th century; China; bowl height 3.4 cm, bowl width 4.7 cm, saucer length 9.7 cm, saucer width 9.7 cm; associated with Ignacy Jan Paderewski (1860–1941)., A shallow rectangular dish and a small cup sit on a flat surface against a plain gray background; the dish is low with a white base and blue floral pattern along its side, edged with a metallic rim and small feet that appear brass-colored, while the cup is taller, with yellow panels framed by dark ornate borders and decorated with pink-stock-foto
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Low-angle view of the Palace of Charles V facade with rusticated stonework, carved reliefs and arched windows in golden sunlight, Alhambra, Granada-stock-foto
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Low angle view of the ornate Renaissance facade of the Palacio de Carlos V with rusticated base, circular oculi and carved garland friezes, Alhambra-stock-foto
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Low angle view of the ornate Renaissance facade of the Palacio de Carlos V with rusticated base, circular windows and carved reliefs, Alhambra-stock-foto
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White slender tower with vertical dark window bands stands against textured clouds, with a one way sign and lamps at the base, Denver, Colorado, USA.-stock-foto
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Ancient stone fortress with tall rectangular tower and weathered walls under blue sky, seen from low angle on rocky base with open plaza foreground-stock-foto
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Tall building with a blue sky background. Modern architecture with vertical lines and glass windows. Urban Outfitters visible at the base in Liverpool-stock-foto
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Exterior view of a stone building and courtyard with a statue on a cloudy day. Walls and archway in the background in Whitby-stock-foto
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Low-angle view of a tall, concrete building with numerous windows, exhibiting a repetitive modular design. A section of the building's base is covered-stock-foto
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Two piece Shoe Rectangular Base Box 300x240x115mm, Lid H=45 mm Die line Template-stock-foto
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Gray concrete stelae in a grid rise at dusk in central Berlin, cool even lighting, low immersive view, cobblestone base, modern mid rise apartment blo-stock-foto
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Glass hexagonal bottle 1st half of 1st century A.D. Roman Translucent cobalt blue.Rim folded out, round, and in; cylindrical neck, expanding at base to join convex curving shoulder; hexagonal body with sides expanding downwards, then cup-shaped below; low oval base with protruding rounded edge and uneven, slightly indented bottom. Mold seams run from shoulder, down sides, and meet off-center on bottom.Decoration in three registers: on shoulder, six pointed arches, each containing an unidentified, large dome-shaped object; on body, six rectangular panels, each framed at sides with columns, comp-stock-foto
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Glass hexagonal bottle 1st half of 1st century A.D. Roman Opaque white.Rim folded out, round, and in, with slightly beveled upper lip; flaring mouth; cylindrical neck; convex curving shoulder; hexagonal body with vertical sides, then cup-shaped below; low base with rounded edge and uneven, slightly indented bottom. Mold seams run from base of neck, down sides, and meet at center of bottom.Decoration in three registers: on shoulder, in blurred relief, six floral motifs; on body, six rectangular panels, each framed at sides with posts or slender columns, and bordered below by a blurred egg-and-d-stock-foto
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Incense burner ca. mid-1st millennium B.C. This bronze incense burner from southwestern Arabia consists of a cylindrical cup set on a conical base. A rectangular architectural form suggesting a facade extends upward from the cup’s front. Its face is decorated with two serpents flanking a round disk set within a crescent, all in low relief. Cast separately, an ibex standing on a plinth projects from the front of the incense burner and may serve as a handle.From the middle of the first millennium B.C. until the sixth century A.D., the kingdoms of southwestern Arabia gained considerable wealth an-stock-foto
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Glass hexagonal bottle ca. A.D. 25–50 Roman Translucent cobalt blueRim folded out, round, and in, then pressed into flaring mouth; cylindrical neck with concave band below rim; downward sloping shoulder; hexagonal body with vertical sides, then cup-shaped below; low base with rounded edge and flat but uneven bottom. Mold seams run from near top of neck, down sides, and meet off-center on bottom.Decoration in relief in three registers: on shoulder, six downturned rays or pointed petals; on body, six rectangular panels, each decorated at top with a triangular pediment, framed at sides with posts-stock-foto
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Lion figurine 1st century B.C.–1st century A.D. Cypriot The figurine is mold-made and solid. The back is flat. The lion is seated upright, facing the viewer's right, on a low, roughly rectangular base.. Lion figurine 241304-stock-foto
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Glass hexagonal bottle ca. A.D. 25–50 Roman Opaque white.Rim folded out, round, and in, then pressed into flaring mouth; misshapen cylindrical neck; downward sloping shoulder; hexagonal body with vertical sides, then cup-shaped below; low base with rounded edge and slightly indented bottom. Mold seams run from base of neck, down sides, and meet at center of bottom.Decoration in relief in three registers: on shoulder, six downturned rays or pointed petals; on body, six rectangular panels, each decorated at top with a triangular pediment flanked by prominent but indistinct round objects, framed-stock-foto
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Footstool 1810–20 American. Footstool. American. 1810–20. Mahogany, tulip poplar. Made in New York, New York, United States-stock-foto
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. Buffet cabinet of oak, part of a dining room-amicublement, consisting of a closed base cabinet and an open cupboard. The lower case contains two doors with two drawers above. The upper cupboard consists of a rectangular display cabinet with two doors, equipped with a rod distribution of six windows each, which rests on the lower case through two narrow consoles. Two shelves are located on either side. Above the display cabinet is a low-sloping awning that rests on four angle styles and lines. The two front steering are free and contain sliced leaf motifs and volutes. The side rules end left-stock-foto
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Mirror with candle brackets, Walnut veneer on deal, carved gessoed,and cast brass, mirrored plate glass, Rectangular mirror (a) with original rectangular bevelled glass. Inner gilt molding carved with regularized floriation in low relief; shaped at upper corners. Wider conforming cyma and bead walnut molding outside. Cresting, with gilded ears of voluted leaf carving, is itself scrolled, voluted, and pierced at center to admit a round pierced gilded ornament. Shaped base has ears similar to above and bears a pair of engraved brass sockets which receive two scrolled candle brackets (b,c)-stock-foto
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Design for the Pedestal and Base of a Pillar in a Church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The lower pedestal is high rectangular with a low base, the height of which is indicated as '3/4'; so is that of the fluted frieze. Laterally are fluted pillars with masks instead of capitals. For the inside of the framed panel a filling with marble seems to be intended. The upper pedestal is broad rectangular. In its panel are two sitting putti with a book. The height of its plinth and of its entablature is given as '5'-stock-foto
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295 Church of Saint John the Theologian at Kaneo -Sveti Jovan Kaneo- on the cliff overlooking Kaneo beach and the lake. Ohrid-North Macedonia.-stock-foto
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Désiré Romain (?), Alabaster table clock, dark blue with gold painted and with flowers on open ground and on dial Romain Rotterdam, pendulum clock timepiece measuring instrument alabaster brass bronze steel, Rectangular cupboard rising from rectangular base on four rectangular legs with flutes crowned by low profiled terrine with serrated edge. At the top some profiles supported by block list. Cast bronze plated dial with lacquered figures for hours and minutes and some vague neo-Gothic motifs in the center. Steel hands. The timepiece is typical French pendulum clockwork with anchoring and per-stock-foto
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abstract white low poly background hole mesh. chamfer rectangular pattern 3d render. blank empty backdrop with copy space technology modern future bus-stock-foto
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abstract black low poly background hole mesh. chamfer rectangular pattern 3d render. blank empty backdrop with copy space technology modern future bus-stock-foto
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Art inspired by Incense burner, ca. mid-1st millennium B.C., Southwestern Arabia, Bronze, H. 27.6 cm, W. 23.7 cm, Metalwork-Vessels, This bronze incense burner from southwestern Arabia consists of a cylindrical cup set on a conical base. A rectangular architectural form suggesting a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT-stock-foto
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Incense burner, ca. mid-1st millennium B.C., Southwestern Arabia, Bronze, H. 27.6 cm, W. 23.7 cm, Metalwork-Vessels, This bronze-stock-foto
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Lion figurine, Late Hellenistic–Early Roman, 1st century B.C.–1st century A.D., Cypriot, Terracotta; mold-made, H. 4 in. (10.2-stock-foto
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Art inspired by Lion figurine, Late Hellenistic–Early Roman, 1st century B.C.–1st century A.D., Cypriot, Terracotta; mold-made, H. 4 in. (10.2 cm), Terracottas, The figurine is mold-made and solid. The back is flat. The lion is seated upright, facing the viewer's right, on a low, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT-stock-foto
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Closeup of a man making a net of steel bars by clipping them together with a wire and pliers placing it in as a reinforcement in a rectangular hole fo-stock-foto
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Design for the Pedestal and Base of a Pillar in a Church. Research in ProgressThe lower pedestal is high rectangular with a low base, the height of which is indicated as "3/4"; so is that of the fluted frieze. Laterally are fluted pillars with masks instead of capitals.-stock-foto
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The grade 11 listed building, Seahouses war memorial, is situated in the centre of a large traffic island bordered on one side by shops and a café-stock-foto
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The grade 11 listed building, Seahouses war memorial, is situated in the centre of a large traffic island bordered on one side by shops-stock-foto
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A blue rectangular base supports a white painted steel column telescope and money box pointing towards the shoreline where sea-mist cloaks the grass-stock-foto
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A blue rectangular base supports a white painted steel column telescope and money box pointing towards the shoreline where sea-mist cloaks the grass-stock-foto
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