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performative figure képek

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The Actor Nakamura Nakazo I as Chinzei Hachiro Tametomo Disguised as an Ascetic Monk, in the Play Kitekaeru Nishiki no Wakayaka, Performed at the Nakamura Theater in the Eleventh Month, 1780 by Katsukawa Shunsho, c. 1780, depicting a kabuki actor in elaborate costume with ornamental patterned robes and ascetic monk disguise, posed in a dramatic stance-stock-foto
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The Actors Nakamura Nakazo I as Kagekiyo Dressed as a Beggar (right), and Otani Hiroji III as Onio Shinzaemon (left), in the Play Kotobuki Banzei Soga, Performed at the Ichimura Theater in the Third Month, 1783 by Katsukawa Shunko I, c. 1783, depicting two kabuki actors in costume and character poses within a theatrical scene-stock-foto
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The Actors Bando Hikosaburo II as Watanabe no Tsuna and Matsumoto Tomijuro as Hakamadare no Yasusuke in the play Furitsumu Hana Nidai Genji, performed at the Ichimura Theater in the eleventh month, 1765 by Kitao Shigemasa, 1765, depicting two kabuki actors in elaborate costume on horseback and seated, with attendant figures and dramatic theatrical props-stock-foto
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The Actor Ichikawa Yaozo II as Ashikaga Motouji Disguised as Katagiri Yashichi in the Play Oyoroi Ebido Shinozuka, Performed at the Nakamura Theater in the Eleventh Month, 1772 by Katsukawa Shunsho, c. 1772, depicting a kabuki actor in elaborate costume holding a falcon, standing on a wooden stage-stock-foto
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The Actor Bando Matataro IV as Bando Taro by Katsukawa Shunsho, c. 1773, depicting a kabuki performer in elaborate costume striking a dynamic pose beside a tall pillar with Japanese characters-stock-foto
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Mikazuki (male deity) Noh mask Date: 16th century Japan-stock-foto
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Berlin, Germany - February 22, 2026: "Geisterhaus Flora" abandoned Jugendstil building with graffiti and mannequin in workwear on balcony, Friedenau-stock-foto
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Cezanne. A figure dressed in a diamond-pattern costume holds a sword while walking. The scene captures a moment in time with bold colors.-stock-foto
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Warsaw, Poland. 02nd June, 2024. A woman chants slogans while wearing a t-shirt bearing a veiled Palestinian figure during the rally. Protestors including members of the student encampment at the University of Warsaw gathered at the university's main gates to take part in a performative minute-long scream against the ongoing genocide being committed by Israel in Gaza. Demonstrators gathered with flags and placards before an emotional, cathartic scream. Credit: SOPA Images Limited/Alamy Live News-stock-foto
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The Gentleman with a Coat, Posing with Hands on Hips by Jacques Callot, c. 1622, two standing male figures in elaborate fur-trimmed coats, exaggerated poses characteristic of commedia dell'arte-stock-foto
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The Man Seen from the Back with a Large Sword, from The Caprices by Jacques Callot, c. 1622, depicting a grotesque figure in elaborate clothing viewed from behind, wielding an oversized sword-stock-foto
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The Round by Jacques Callot, c. 1622, depicting a lively circle of goat-legged satyrs and costumed figures dancing and carousing in theatrical revelry-stock-foto
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Masked Comedian Playing the Guitar, from Varie Figure Gobbi by Jacques Callot, 1616, depicting a costumed performer with skull mask holding a lute in an exuberant pose-stock-foto
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Capitan Spessa Monti and Bagattino by Jacques Callot, c. 1622, depicting two costumed comedic characters confronting each other in a public square before onlookers and architecture-stock-foto
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Capitano Esgangarato and Capitano Cocodrillo by Jacques Callot, c. 1622, depicting two grotesque costumed figures in exaggerated poses performing a comedic theatrical dance-stock-foto
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Bather Drying Herself ca. 1892 Edgar Degas French Edgar Degas greatly admired the female figure. Whereas his depictions of ballerinas focus on the elegant, performative body, his studies of women bathing show an equal appreciation for the uninhibited gestures of this private activity. In intimate, close-up portrayals, Degas depicted his models seated, crouched, or standing, often in contorted poses as they lifted arms and legs to wash or dry themselves. Chalk and pastels helped him capture the play of light and movement in these domestic choreographies. In this relatively abstract portrayal, h-stock-foto
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Terracotta one-handled drinking cup 3rd quarter of the 6th century B.C. Attributed to the Inscription Painter Five dancing youths. Terracotta one-handled drinking cup. Greek, Chalcidian. 3rd quarter of the 6th century B.C.. Terracotta; black-figure. Archaic. Vases-stock-foto
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Segawa Kikunojo III as a Samurai ca. 1790 Katsukawa Shun'ei 勝川春英 Japanese. Segawa Kikunojo III as a Samurai  56978-stock-foto
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Scenic with Sater wearing world globe on shoulders and a soldier threatening with sword raised; Title page for: Comediae, Leiden 1645; Comediae. Scenic with Sater that is wearing a globe on shoulders and a soldier threatening with sword raised. Title stands on canvas that depends on the stage.-stock-foto
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opened palm on blurred bg of moving performers dancer hand, dance performance improvisation-stock-foto
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Dancer in carnival costume-stock-foto
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Eastern Han Dynasty earthenware tomb figurine of a musician playing a lute, dating 25–220 AD, displayed at the Shanghai Museum in China.-stock-foto
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This 1st century BC hump puppet, discovered in Polish excavations at Myrmekion, represents Hellenistic figurative art and theatrical cultural artifacts.-stock-foto
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This 1st century BC actor puppet, recovered in Polish excavations at Myrmekion, represents theatrical figurines of the Hellenistic period, illustrating craftsmanship and performative culture.-stock-foto
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Rickshaw panel art from Cumilla, Bangladesh, showing a smiling woman beside painted Bengali script on a decorative blue background.-stock-foto
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59 Dancing Lady Crawford Tone-stock-foto
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The Assault of the Shoe by Henri Charles Guérard, 1888, depicting multiple figures climbing over and attacking a giant red shoe in a whimsical satirical scene-stock-foto
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Fameux Jury de Peinture. Salon de 1841 by Clément Pruche, 1841, satirical scene of judges and artists gathered around a table examining paintings and artworks-stock-foto
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This etching by Spanish artist Francisco Iturrino, circa 1910, titled 'La cantante de las muchedumbres', measures 24.5 x 34.5 cm and belongs to the Gelonch Viladegut Collection. The print depicts a female singer before a crowd, illustrating early 20th-century Spanish etching techniques, expressive composition, and performative subject matter. The artwork records artistic style, printmaking methods, and cultural representation in Spain at the time.-stock-foto
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Lender Dancing the Bolero in Chilpéric by Henri de Toulouse-Lautrec, 1895, depicting a female performer in ornate costume striking a dynamic pose mid-dance-stock-foto
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English: Dancers Français : Danseuses Deutsch: Tanzerinnen Nederlands: Danseressen Magyar: Táncosnők Forain - Dancers-stock-foto
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Illustrations to Popular Songs by Henry Alken, 1822, depicting gentlemen of England in humorous poses with accompanying song lyrics and satirical commentary-stock-foto
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Parody of a daimyo procession by Utagawa Toyohiro, c. 1805–07, depicting a figure in elaborate dress and towering headdress carrying a parasol and walking staff-stock-foto
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Kumano of the Hanabishiya as Shiko (Actor Ichikawa Shiko I) Playing Sukehachi, by Urakusai Nagahide, 1815, depicting a kabuki actor in elaborate costume with golden ornamental wings, holding a decorative umbrella, set against scrolled fabric banners-stock-foto
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Sagi by Tsukioka Kogyo, 1898, depicting a Noh theater performer in elaborate costume and mask, holding a decorative fan, with a bird perched on their head-stock-foto
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Hanbu by Tsukioka Kogyo, 1898, depicting a woman in purple robes with decorative hat attending a Noh performance, accompanied by a male attendant-stock-foto
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Nezame by Tsukioka Kogyo, 1898, depicting a richly costumed Noh performer in elaborate patterned robes kneeling before a seated masked figure-stock-foto
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Shojo by Tsukioka Kogyo, 1898, depicting a woman with striking red hair wearing an ornate patterned robe and holding a decorative fan beside a green ceramic vessel-stock-foto
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Etching and engraving, 1769, illustrating a continuation of the procession of Shakespeare's characters. Figures in costume proceed in a line, each identifiable by theatrical dress and attributes. The print demonstrates 18th-century English theatrical representation, character study, costume design, stage arrangement, visual narrative, and printmaking technique, highlighting allegorical and performative depiction of literary figures.-stock-foto
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Masked Dancer - Cowichan by Edward S. Curtis, 1912, depicting an Indigenous performer in traditional regalia with feathered headdress and ceremonial costume-stock-foto